the sun is setting over the hills & galley kitchens;

Another piece of epistolary prose to a friend from

last year.  Words seem to be the only thing I can

take solace in lately.  They hurt, but being hurt

will always feel better than feeling nothing at all.

It’s metronomic, in at least there’s a pulse.


This has been slow denature, and over the past several months

I’ve been gradually feeling less and less like the main character.

It seems above all else that I’ve failed in feeding the particular

arc of momentum I had prior to becoming another splayed out

murder victim of nihilism, which like a lush, has drank from and

emptied my inner reservoirs to a point where even climatologists

would say, “well, it appears there’s a slim chance of restoration or

recovery unless by divine intervention.”  I’ve since dammed up,

neglected, and forgotten what found end in these once rich springs

of perception.  I’ve cried plenty, at times with deep positional

awareness, and other times for the sake of a good ol’ honey-filled

ad hominem.  I’m learning now, or at least it’s being displayed to

me, that nothing will fill these reservoirs: not tears, not a raining

of dollars and sense, not the devoted reign of a lover, who, mind

you, will actually have to put up with someone like me.

Maybe I do need God.

Maybe there is in fact a god somewhere for me besides at the

bottom of a bottle or whispering from the receding smoky head

of a joint.  Maybe they have a plan for me and it’s honorable.

I’ll hold my breath so I can be blue in a different way.

­

I thought I had found a home in helping people find homes.  I

distinctly remember telling myself that I was going to put my

nose to the grindstone and become one with the process, my

little joke being that I’d lift my head off it at some point only to

realize I was noseless.  But it wouldn’t matter if my schnoz was

missing because I’d be a fine edge.  And filthy rich! Or at least

at a point of sustainment, independently, in a future as rich

and vibrant as my imagination could allow.  And it allowed

a lot—I was very creative in dressing the tangent hereafters.  I

tiptoe into futures now.  They all seem less than delightful.

That imagination, like the aforementioned arc, has officially

died and disappeared since my exiling and pulling of my

business cards out of their apportioned holster at the grocery

store (no one ever called from those anyway).

As much as I try and tell myself this portion of the timeline

was “for the people” and actualizing my “why” of being one

of humanity’s little helpers in such a trialing process for the

masses, it’s hard not to feel that not only was it all about the

money—especially when I had none—but that this period was

a hyper-locality of being so caught up in what people thought

about me that I completely discarded the ideal that “daunting”

and “impressive” are meant to be interwoven and forged into

the simulacrum that we’d call the complex & fulfilling lifetime.

(As if my track record shows I ever had that sense to begin with.)

But where’s balance in shallow acquisition and hollow theory?

­

Prior to now, the sun was always halfway between high noon and

a six-foot grave below the horizon.  Presently, there’s only a little

shard of it still left, as if crying out little insights of what’s left of

my known embellishments.  Is this begetting a very particular

dark as it embraces its new sense of agency?  This couldn’t feel

more like being born again: learning how to latch, how to breathe

on my own; how to bite down, suck, and persist.  Oh how deep

discomfort in existence goes when you use the same allowance of

imagination to build out the substance.

­

K

­

P.S.—I believe you remember that my pull in the tarot reading for

career had been the emperor.  I wish it would’ve mentioned if it

was in the style of Trajan or Caligula.  I would’ve at least worn

something decent for the execution.

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