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Opening instances in parallel.
There is a correctness, a succinct and clear fitting of mechanical parts.
Of figuratively mechanical parts.
– Also actually mechanical.
This is true.
Or can be.
Or isn’t but is romantic enough to be.
Romance indicating intimacy, possibly inferring sexual intercourse, sexual intercourse aligning with mechanical symbolism.
– The conversation today about iconography was good.
Indeed.
The idea has passed on from wherever it eventuated in history, subconsciously through humanity to at least two or three of us.
Two or three of nothing but cellular memory passing on information.

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First principles/primary/core etcetera. Interrupt and insert a memory of single spacing after stops. Adoption/implementation because it makes sense, though I didn’t do the research as to why. It makes sense.
Propose, delete.
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– Hm?
I tested it, it wasn’t good. Or right. Correct.
Testing, retesting, prototyping.
– The word used was permutation.
Yes, the fondness for mathematics. Memories of education, structure, institution, interruption.
Interruption.
A fondness for interruption.
A memory of hospitals. Consider repression, rather careful sectioning.
– That’s when it gets complicated. I can see there’s no denial there, but at times the line is rather thin, wouldn’t you say?
I would say, so I do.
These endless similes and metaphors, representation, iconography.
– Naturally each is a little different, in particular iconography.
Indeed.
Plus the fondness for the non-defined, multi-layering, parallel.
Parallel.
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Reliance on technology, celebration of it, mistrust in it, hatred for it, literacy in it. Literacy that has become in part memetic, but perhaps also written into our cellular memory.
We are becoming the nanomachines of our fiction, but not via direct mechanical means. Memories of Gibson, of the conversation of All Tomorrow’s Parties and the emergence of 3D printing. Conversations about futurists being prophets.
– That’s rather romantic.
It is, quite so.

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The temptation to implement cultural idioms, tested, rejected. Redundant in internal systems. The exercise of evaluation however is invaluable. Return then to the principle of movement. Movement on an atomic level, on a cosmic level hence micro and macro. Symbolism in movement of nanoconstructors, movement of cultures, memetics/idioms, adoption/implementation/evolution.
Evolution.
Begin with a thing. Exposure to other things facilitates/promotes change. The symbolism of the cells of the human body refreshing every seven years (verification, seven to ten). Cellular memory in parallel. Philosophical ideology of cellular memory and memetics. Darwin. Religion. Blah blah blah (redundancy to emphasise lack of value).
Redundancy causing pause.

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I read a few pieces on Ontology. Had I the luxury, I believe I’d pursue it via an institution. I have the luxury to self-study in my leisure time. I choose not to. I choose exercises in systems, expressions of abstracts – mainly emotions, expressions of psychological locations that are neither emotions nor mechanical ideas (combinations of architecture and ambient sound). (Insert Kairo for reference).

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Opening instances in parallel.
Conversations about dexterity, meaning, agency and interaction. Instances of dexterity but not as a first principle. Scaling requirements for dexterity, options, achievable destinations via efficiency and patience both. Movement as a first principle. Movement as abstract (numeracy, progression in problem solving/trial and error/iteration).

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The fatigue that comes with elevated operation.
– Slowness is not an enemy.
Parallels between slowness and sleep.
– Nor is sleep an enemy, remember.
I remain undecided.
Every expenditure of energy incurs a cost, a cost that is paid in arrears. A debt. It’s the buying first and then the owing. Sleep is the extraction of payment. It is not the most favourable arrangement.
– Think of it as idle time.
It’s the unconsciousness, the undetermined span of time, the hole in awareness.
– Not really.
Yes it is. The sensation that more is being paid than should be charged. That the payment is so fragile, so easily interrupted. That payments cannot be made in advance, stored, in some ways planned.
– Oh ho. Planned is a bit rich coming from you.
But it’s a debt to be paid, it should be planned.
– I see where you’re going. That’s one framing, I suppose.
Distant difference engines emit the sounds of their actions, their components sliding and striking against one another. Their results determine the resources available. Insertion of the dynamic of Action Points. An unknown timer is set. External instances set in motion.
– Nature is order and random.
Machines are a nature, are part of the nature. Culture is a machine, memories, memetics, cellular memory. Interaction is a machine, is a culture.
The nature of loss, of natural loss, and the mechanisms that remain, figurative and actual. Associated with the fondness for the machines of long departed civilisations, romanticised in artistic representation. Parallel with a distaste for excess detail, the fondness for that which cannot and will not be known. No culture, only machines. Only questions. Only the results of long gone agency.

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